{"id":106236,"date":"2023-06-18T11:39:18","date_gmt":"2023-06-18T09:39:18","guid":{"rendered":"https:\/\/www.gbopera.it\/?p=106236"},"modified":"2023-06-20T14:51:54","modified_gmt":"2023-06-20T12:51:54","slug":"patricia-pagny-impressions-nocturnes","status":"publish","type":"post","link":"https:\/\/www.studioroldo.it\/gbopera\/patricia-pagny-impressions-nocturnes\/","title":{"rendered":"Patricia Pagny: &#8220;Impressions nocturnes&#8221;"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"font-family: verdana, geneva, sans-serif;\"><strong><em>Impressions nocturnes: Fr\u00e9d\u00e9ric Chopin: <\/em><\/strong><em>Nocturne\u00a0 op.27 n.1 (1836) <\/em><em>in do diesis minore; <strong>Gabriel Faur\u00e9:<\/strong> Huiti\u00e8me Nocturne\u00a0 op.84 (1902) in re bemolle maggiore; <strong>Claude Debussy <\/strong>\u201cles sons et les parfums tournent dans l\u2019air du soir (Pr\u00e9ludes \u2013 premier livre 1910); <strong>Georges Migot:<\/strong> Quatre Nocturnes pour le piano; <strong>Francis Poulenc:<\/strong> Quatri\u00e8me Nocturne \u201cBal fant\u00f4me\u201c FP56 (1934); Cinqui\u00e8me Nocturne \u201cPhal\u00e8nes\u201d FP56 (1934); <strong>Jean Jacques Werner:<\/strong> Chansons R\u00eaves pour Sophie (1971); <strong>Georges Auric: <\/strong>Nocturne &#8220;Les F\u00e2cheux&#8221;; <strong>Gabriel Faur\u00e9: <\/strong>Neuvi\u00e8me Nocturne en si mineur op.97 (1908); <strong>Claude Debussy:<\/strong>\u201cFeux d\u2019artifice\u201c. <\/em><strong>Patricia Pagny<\/strong> (pianoforte). Registrazione: 11\/12 febbraio 2022 Klangscheune, LottstettenNack (Germania). T. Time: 79&#8242; 27. <strong>1 CD Sradivarius STR37229<\/strong><br \/>\nGenere musicale, sviluppatosi in particolar modo nell&#8217;Ottocento romantico, il <em>Notturno<\/em> per pianoforte \u00e8 il protagonista di una proposta discografica dell&#8217;etichetta <strong>Stradivarius <\/strong>il cui ricco programma si apre con il famoso\u00a0<em>Notturno op. 27 n. 1 in do diesis minore<\/em> di <strong>Chopin<\/strong> per concludersi con gli scintillanti <em>\u201cFeux d\u2019artifice\u201c <\/em>di <strong>Claude Debussy<\/strong> che illuminano la notte. Nel mezzo pagine pi\u00f9 note, come <em>Huiti\u00e8me Nocturne\u00a0 op.84 <\/em>di <strong>Faur\u00e9<\/strong>, &#8220;<em>les sons et les parfums tournent dans l\u2019air du soir&#8221; <\/em>di <strong>Debussy, <\/strong><em>Quatri\u00e8me Nocturne \u201cBal fant\u00f4me\u201c <\/em><strong>e<\/strong><em> Cinqui\u00e8me Nocturne \u201cPhal\u00e8nes\u201d <\/em>di <strong>Francis Poulenc, <\/strong>e altre meno, come i <em>Quatre Nocturnes pour le piano <\/em>di <strong>Georges Migot<\/strong>, qui incisi per la prima volta, le <em>Chansons R\u00eaves pour<\/em> <em>Sophie <\/em>di <strong>Jean Jacques Werner<\/strong> e il <em>Nocturne &#8220;Les F\u00e2cheux&#8221;\u00a0 <\/em>di <strong>Georges Auric.\u00a0<\/strong>Quasi del tutto dimenticato dopo la sua morte, <strong>Migot\u00a0<\/strong>rimase estraneo alle mode dell&#8217;epoca per mantenersi fedele a una scrittura legata a tonalit\u00e0 e modalit\u00e0 incerte, caratteristiche che si riscontrano anche nelle <em>Chansons-R\u00eaves<\/em>, ninnananne composte da <strong>Werner <\/strong>per\u00a0 la figlia Sophie. Al gruppo dei Sei apparteneva, invece, <strong>Georges Auric<\/strong><em>.<\/em> Ottima l&#8217;esecuzione da parte di <strong>Patricia Pagny, <\/strong>artista rimasta sempre lontana dai riflettori, che in questo CD interpreta queste composizioni con sensibilit\u00e0 e con espressione grazie a un bel tocco.<br \/>\n<iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/DuQrtSvl7io\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Impressions nocturnes: Fr\u00e9d\u00e9ric Chopin: Nocturne\u00a0 op.27 n.1 (1836) in do diesis minore; Gabriel Faur\u00e9: Huiti\u00e8me Nocturne\u00a0 op.84 (1902) [&hellip;]<\/p>\n","protected":false},"author":48,"featured_media":106240,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[146,15867,3064,1713,11244,5142,30205,30203,30202,30204,30201,30206],"class_list":["post-106236","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-e-dvd","tag-cd","tag-cd-e-dvd","tag-claude-debussy","tag-francis-poulenc","tag-frederic-chopin","tag-gabriel-faure","tag-georges-auric","tag-georges-migot","tag-impressions-nocturnes","tag-jean-jacques-werner","tag-patricia-pagny","tag-sradivarius"],"_links":{"self":[{"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/posts\/106236","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/users\/48"}],"replies":[{"embeddable":true,"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/comments?post=106236"}],"version-history":[{"count":10,"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/posts\/106236\/revisions"}],"predecessor-version":[{"id":113672,"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/posts\/106236\/revisions\/113672"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/media\/106240"}],"wp:attachment":[{"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/media?parent=106236"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/categories?post=106236"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/tags?post=106236"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}