{"id":505,"date":"2008-11-21T16:48:08","date_gmt":"2008-11-21T14:48:08","guid":{"rendered":"http:\/\/www.gbopera.it\/?p=505"},"modified":"2017-09-18T19:41:47","modified_gmt":"2017-09-18T17:41:47","slug":"i-gioielli-di-mariaterza-parte","status":"publish","type":"post","link":"https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/","title":{"rendered":"I gioielli di Maria&#8230;(terza parte)"},"content":{"rendered":"<p>In questa terza puntata sono tre i preziosi presi in esame dalla mia lente di ingrandimento: i primi due sono una collana e una spilla in brillanti esibita gi\u00e0 nel 1952 per quella che sar\u00e0 l&#8217;ultima stagione della Callas a Mexico City.<br \/>\nNuovamente al Savini al tempo del <em>Macbeth <\/em>scaligero e per la prima dell&#8217;anno successivo durante la rappresentazione della <em>Wally <\/em>di Catalani in compagnia ora di Giuseppe di Stefano, ora di Meneghini. Negli anni successivi la spilla verr\u00e0 appuntata tra i capelli, lo dimostrano le immagini all&#8217;inaugurazione della Piccola Scala col <em>Matrimonio Segreto <\/em>di Cimarosa o al ballo della croce Rossa.<br \/>\nIl terzo gioiello preso in esame sono gli orecchini che furono acquistati da Meneghini nel 1954 e che successivamente verso il 1956 furono modificati utilizzando sempre le medesime bellissime perle naturali, ma valorizzate da una montatura in diamanti taglio brillante e baguette assai pi\u00f9 ricca della precedente.<\/p>\n<div id='gallery-1' class='gallery galleryid-505 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/1-1\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/1-1-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-508\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-508'>\n\t\t\t\tA Mexico City durante un party in suo onore\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/22-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/22-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-510\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-510'>\n\t\t\t\tA Mexico City\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/attachment\/31\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/31-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-511\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-511'>\n\t\t\t\tA Mexico City\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/4-1\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/4-1-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-512\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-512'>\n\t\t\t\tAl Savini nel dicembre 1952\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/5-1\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/5-1-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-513\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-513'>\n\t\t\t\tCon G.Di Stefano all&#8217;apertura della stagione scaligera 1953\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/6-1\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/6-1-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-514\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-514'>\n\t\t\t\tCon Meneghini, il 7 dicembre 1953\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/7-1\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/7-1-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-515\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-515'>\n\t\t\t\tApertura stagione alla Scala, 1953. Opera inaugurale, &#8220;Wally&#8221; di Catalani\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/8-1\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/8-1-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-516\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-516'>\n\t\t\t\tAlla Piccola Scala di Milano&#8230;\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/attachment\/91\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/91-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-517\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-517'>\n\t\t\t\t&#8230;26 dicembre 1955\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/attachment\/101\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/101-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-518\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-518'>\n\t\t\t\tMilano,5 febbraio 1956, in occasione del Ballo della Croce Rossa\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/attachment\/111\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/111-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-519\" srcset=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/111-70x70.jpg 70w, https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/111-200x200.jpg 200w, https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/111.jpg 592w\" sizes=\"auto, (max-width: 70px) 100vw, 70px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-519'>\n\t\t\t\t&#8230;a Verona..\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/attachment\/121\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/121-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-520\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-520'>\n\t\t\t\t&#8230;estate 1954\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/attachment\/131\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/131-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-521\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-521'>\n\t\t\t\tLondra, ritratti di Angus McBean&#8230;\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/attachment\/141\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/141-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-522\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-522'>\n\t\t\t\t&#8230;presso gli studi EMI, nel settembre 1954\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/15-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/15-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-523\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-523'>\n\t\t\t\tNew York, novembre 1956&#8230;\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/attachment\/16\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/16-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-524\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-524'>\n\t\t\t\t&#8230;ritratti di Cecil Beaton\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/attachment\/17\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/17-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-525\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-525'>\n\t\t\t\tA Londra&#8230;\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/18-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/18-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-526\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-526'>\n\t\t\t\t&#8230;4 febbraio 1957\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/19-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/19-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-527\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-527'>\n\t\t\t\t&#8230;per l&#8217;intervista alla BBC\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/20-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/20-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-528\" srcset=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/20-70x70.jpg 70w, https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/20-196x199.jpg 196w, https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/20.jpg 632w\" sizes=\"auto, (max-width: 70px) 100vw, 70px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-528'>\n\t\t\t\tEdimburgo,conferenza stampa, 7 agosto 1957\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/21-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/21-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-529\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-529'>\n\t\t\t\tDallas, concerto inaugurale, 21 novembre 1957\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/attachment\/221\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/221-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-530\" srcset=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/221-70x70.jpg 70w, https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/221-200x200.jpg 200w, https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/221.jpg 400w\" sizes=\"auto, (max-width: 70px) 100vw, 70px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-530'>\n\t\t\t\tParigi, Studi ORTF&#8230;\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/23-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/23-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-531\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-531'>\n\t\t\t\t&#8230;2 maggio 1965, registrazioni\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon '>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/24-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"1\" height=\"1\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/24.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-532\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-532'>\n\t\t\t\tParigi, alla prima del film &#8220;The battle of Britain&#8221;, in compagnia di Peter Towsend\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.studioroldo.it\/gbopera\/i-gioielli-di-mariaterza-parte\/25-perle\/'><img loading=\"lazy\" decoding=\"async\" width=\"70\" height=\"70\" src=\"https:\/\/www.studioroldo.it\/gbopera\/wp-content\/uploads\/2008\/11\/25-perle-70x70.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-533\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-533'>\n\t\t\t\tLe perle\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>In questa terza puntata sono tre i preziosi presi in esame dalla mia lente di ingrandimento: i primi [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":524,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[14669],"class_list":["post-505","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-maria-callas","tag-maria-callas"],"_links":{"self":[{"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/posts\/505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/comments?post=505"}],"version-history":[{"count":0,"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/posts\/505\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/media\/524"}],"wp:attachment":[{"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/media?parent=505"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/categories?post=505"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.studioroldo.it\/gbopera\/wp-json\/wp\/v2\/tags?post=505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}